GENERAL PRESS

 

Performer Erika Chong Shuch Shares Best Things To Read, Watch And Do
by Stephanie Kim, WBEZ Chicago.

From Disco Balls to Clothelines, the objects Bay Area artists treasure right now
by Samantha Nobles-Block, San Francisco Chronicle.

A Rhapsody For You
by Helen Paris, Performance Research.

Talk To Me
by Rita Felciano, Theatre Communications Group.

Interview with Erika Chong Shuch
by Deborah Cullinan, Howlround.

 

ORIGINAL WORK

 

FOR YOU

Only ‘For You’: A matchmaking program at Court Theatre pairs up artists and seniors
by Chris Jones, Chicago Tribune.

Out of Touch
by Rowena Richie, In Dance.

‘For You’ set out to have artists make gifts for seniors. The real gift? The seniors themselves
by Lily Janiak, San Francisco Chronicle.

Bay Area Artists Reach Across Social Distance to Connect with Elders
by Lauren Spence, Theater Bay Area.  

First Things First
by Rowen Richie, In Dance.  

A Rhapsody For You
by Helen Paris, Performance Research.

Performance Artist Creates Theatrical Experience Just ‘For You’
by Lily Janiak, San Francisco Chronicle.

IRON SHOES  

Full Press


SITTING IN A CIRCLE

Analyze This, Perform That: Erika Chong Shuch
by Tess Thackara, BOMB Magazine.

Sitting In A Circle
by Joshua Kim, Art Practical.


LOVE EVERYWHERE

Love Everywhere, A Public Celebration of Love.
DancersGroup.org

Dance Piece Captures Joy of '04 Same-Sex Unions
by Tamara Straus, San Francisco Chronicle

Finding Love Everywhere in San Francisco
by Claudia Bauer, DancersGroup.org


SUNDAY WILL COME

The Future Project: Sunday Will Come
by Robert Hurwitt, San Francisco Chronicle.

Sunday Mourning: Erika Chong Shuch And Sean San Jose Perform at Intersection
by 7x7 Magazine.

Intersection for the Arts gazes into “The Future Project”
by Karen D'Souza, San Jose Mercury News.

The Future Project: Sunday Will Come
by Andy Alabran, KQED Arts.

The Future Project: Sunday Will Come
by Rita Felciano, San Francisco Bay Guardian.

It’s alive! Death and theater
by Chad Jones, Theater Dogs.


AFTER ALL

Erika Shuch's 'After All, Part 1'
by Rachel Howard, San Francisco Chronicle.

Dancing with Words
Choreographer Erika Chong Shuch imagines a strange future

by Nirmala Nataraj, SF Weekly.

Review: After All
by Ilya Tovbis, Flavorpill.

New Moves And Existential Musings From Liss Fain, Erika Shuch
by Rita Felciano, San Francisco Bay Guardian.

Doing Time
by Chloe Veltman.


51802

She’s A Rebel: With 51802, Choreographer Erika Shuch Looks In From The Outside At The Impact Of The California Prison System
by Kimberly Chun, San Francisco Bay Guardian.

'51802' players trapped by the prison system
by Rachel Howard, San Francisco Chronicle.

Don't Miss: '51802'
by Stephanie Laemoa, San Francisco Chronicle.

Cell Mates, 51802 Charts Love On The Outside Looking In
by Robert Avila, San Francisco Bay Guardian.

Dance Theater Jail Piece '51802'
by Chloe Veltman, SF Weekly.


ORBIT (notes from the edge of forever)

'Orbit' searches for love and a real connection
by Rachel Howard, San Francisco Chronicle.

Orbit (Notes From The Edge Of Forever)
by Chloe Veltman, SF Weekly.

Close Encounters
The Always In-Search-Of Erika Chong Shuch Sends Her Talents Into Orbit

by Robert Avila, San Francisco Bay Guardian. 

Signs Of Intelligent Life
by Joe Landini, Bay Area Reporter.

ORBIT (Notes From The Edge Of Forever)
by Rita Felciano, San Francisco Bay Guardian. 


ONE WINDOW

A 'Window' Into Choreographer's Complex World
by Rachel Howard, San Francisco Chronicle. 

Shuch's 'One Window' Makes The Most Of It
by Michael Wade Simpson, San Francisco Chronicle.


ALL YOU NEED

Erika Shuch Stretches To Tell Macabre Tale
by Rachel Howard, San Francisco Chronicle.

ALL YOU NEED
by Michael Wade Simpson, Culture Vulture.

 
 

DIRECTING FOR THEATER

 

EURYDICE

Erika Chong Shuch Looks at 'Eurydice' with Dancer's Eyes
by Robert Hurwitt, San Francisco Chronicle.

Shotgun’s ‘Eurydice’ Finds Love in the Land of the Dead
by Sam Hurwitt, KQED.

The Best Night You'll Ever Have In Hell: Shotgun Players' Eurydice
by Lou Fancher, SF Weekly.

Eurydice
by Eddie Reynolds, Theatre Eddys.

Shotgun Players Present Eurydice
by Charles Kruger, TheatreStorm.

‘Eurydice’ performance breathes new life into old myth
by Sarah Elizabeth Adler, The Daily Californian.

Myth turned upside down in Shotgun’s creative ‘Eurydice’
by Emily S. Mendel, Berkeleyside.


CITY COUNCIL MEETING

City Council Meeting: Curiously Compelling
by Robert Hurwitt, San Francisco Chronicle.


GIFT OF NOTHING

The Gift of Nothing at the Kennedy Center
by Gina Jun, DC Metro Arts


THE LILY'S REVENGE, THE LOVE ACT

The Lily's Revenge: 1 Crazy Bride Quest
by Robert Hurwitt, San Francisco Chronicle.

Click here for more reviews of The Lily's Revenge


GOD'S EAR

Finding the Rhythms in a Playwright’s Words
by Chloe Veltman, New York Times.

In God's Ear
by 7x7 Magazine.

Audible Anguish in 'God's Ear'
by Robert Hurwitt, San Francisco Chronicle.

Click here for more reviews of God's Ear