| Sunday Will Come | |
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Sunday Will Come, a collaboration with the Erika Chong Shuch Performance Project and Campo Santo, explores what it means to be human, what it means to be alive, and what it means to be just another small creature in this great, big world. |
| Love Everywhere | |
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“Justice overpowers evil if you pursue
it with love. Evil is to treat any human being as ‘less than’ fully
human. Love says every human being is beloved and accepted for
who they are.” — Reverend Cecil Williams |
| After All | |
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The elusive nature of “now”,
the slipperiness of memory, and human beings’ unsettling
hopes and fears about what lies ahead form the backbone of Erika
Chong Shuch Performance Project’s mesmerizing new production, After
All. |
| 51802 | |
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The authenticity of her character’s
anger, pain, and desperation reverberates with a truth that is
both fragile and titanium clad. And there is just that touch of
sentimentality, a bit of brittleness about her left-behind lover's
dreams, that makes her character all the more human. It’s
quite an achievement… - San Francisco Bay Guardian, Rita Felciano |
| one window | |
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Shuch takes a window’s complexity - is
it an opening to something or a void? - as a point of departure
for ruminations that remain aptly paradoxical. Shuch succeeds
in retaining a grip on the ambiguity at the heart of human experience
while holding on to an open-hearted innocence that captivates
us. |
| Orbit notes from the edge of forever |
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| A multi-media story connecting the search for extra-terrestrial intelligence with the search for love. An exploration into how we are all sending out signals, all the time, everywhere, in hopes that intelligent life will respond. |  |
| All You Need | |
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Like a crazed lover, All You Need begs
you to feel until you’re spent. Weaving together spoken word,
video, floating props, live music, and haunting vocals - the
multi-media production releases an emotional vortex, where loneliness,
love, longing, and lust twist and intermingle. |
| to hellen bach | |
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to hellen bach was
filmed |
| vis-à-vis | |
| vis-à-vis ups the
ante when the threat to that abstract innocence is given a name,
as short clips of everyday folk talking about the Vietnam War mingle
with folksy acoustic guitar No golden wisdon drops from their lips,
which mutter observations more on the order of “Yeah, my
uncle was in the war, and he came back, like, f—ked up.” Far
from ingratiating, the babble is the beauty of the piece, sympathetically
laying b, heare our sheer inability to vocalize the experience
of war while making a case for the meaning in motion before us. - SF Examiner, Rachel Howard |
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