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Dear dear dear friends,
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I know this donation page is dense but PLEASE stick with it! Fill out the amount you wish to donate.
Under "Direct your donation" (fifth entry on the donation form) please use the pulldown menu and select "Erika Chong Shuch Performance Project " from the long list of choices.
Complete all the items with a red asterisk on the form.
or
If you prefer, you can make a check out to "Intersection for the Arts". Put "Erika Chong Shuch Performance Project" in subject line, and send to:
Intersection for the Arts
Erika Chong Shuch
Performance Project
925 Mission Street
San Francisco, CA 94103
These donations are tax deductible.
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I was recently lecturing at my alma mater, UC Santa Cruz, and on my way to the theater department I drove under a bridge that was the site of a protest organized by my dear friend, Jesse Howell, many years ago. Dance classes were being cut so Jesse and I hung from the bridge in rock climbing harnesses, our faces masked in black stockings as we dangled above cars and busses. Underneath us was a group of fellow dance students holding big “manifesto” signs that Jesse made. They said “Beauty Is Relevant.” Jesse is super smart.
This year, as so many artists and arts organizations struggle to adapt to a shifting ecology, many of us have been asking questions about relevance. And here, as I write this letter asking for you to donate money to help the ongoing work of the Erika Chong Shuch Performance Project, I have to ask myself the same question. In fact, 2011 has been full of questions. And the questions themselves have been relevant and meaningful and difficult and deep.
As many of you know, I have spent much of 2011 working in Korea with artists and activists, many of whom are refugees from North Korea. This past year has brought me some beautiful questions. I have been faced with questions of entitlement, are we “allowed” to make work inspired by events outside of our own life’s experiences? How do we do this with grace? Am I complicit in the romanticisation of victims? Who do I want to make this work for? What can I do to broaden the scope of what/who we can communicate with through artmaking? How can I push for aesthetic experimentation while working with topics that are so politicized? How can I hold on to the fact that in theater, we can do anything?
I’ve been rereading Liz Lerman’s amazing book “Hiking the Horizontal,” a must read for artmakers and questioners. Early in her book she writes: “The questions trip over each other. They never stop.” Liz writes beautifully and clearly about asking questions as a way of life and a way of making art.
In asking for your help, I am asking for you to be a part of the questioning. I am asking you to support us as we learn how to ask, as we learn how to live in “not-knowing” and build art that is rooted in a deep curiosity. I am inviting you to ask with us.
Here’s to another year of deeply questioning. Here’s to a year of using what we have learned to give us the courage to stand in the unknown and risk finding new pathways towards an evolving, relevant beauty.
Any donation goes a long, long way.
All love,
Erika
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With the support of a research grant from Theater Communications Group, I’m returning to Korea and will continue research for The Korea Project, a new work set to premiere in Korea and SF in 2013.
Also in Korea, I’ll work with the Chang Mu Dance Company and members of the Erika Chong Shuch Performance Project to create and present new work at the Ambassador’s residence at the American Embassy and through the Korean booking conference Performing Arts Market Seoul (PAMS).
by Eric Ehn
Erika Chong Shuch Performance Project teams up with Rebecca Novick to work on Soulographie, an ambitious international collaboration to produce playwright Erik Ehn’s 17-play cycle on genocide. Thirteen teams in ten cities are working to produce one or more plays in their city through 2011 and 2012. Following local productions, the full cycle will be presented in a two-week commemorative event at La Mama in New York City in November 2012.
January, 2011
I visited Korea and met with dozens of artists and activists to build a collaborative team for The Korea Project
June, July 2011
I got invited back to Korea and commissioned to create three new works for 2 separate companies!
3 Korea premieres:
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Chorus Of Stones, Daejeon City Metropolitan Dance Theater
A piece about how the memory of grief lives in our bodies.Watch video.
With music by DJ Werd, Erika’s brother, who lives in Berlin |
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What Matters Most Is How You Walk Through The Fire, Chang Mu Dance Company
A piece about the rabid and the refined. Observations on Korean tradition, and questions about our place in it. |
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Face In A Crowd, Chang Mu Dance Company A site-specific work in a very crowded mall.
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Erika Chong Shuch Performance Project creates the Love Act in Taylor Mac’s epic play at the Magic Theatre.
Our new work premiered at Intersection for the Art’s new space in the old SF Chronicle Building in downtown SF. Three glorious sold out weeks of performance.
American Theater Magazine - we’re on the cover!
Love Everywhere, our 2010 work at SF City Hall made the cover of this very glossy cool magazine, and we are featured in a lovely article about Bay Area dance theater artists.
I was interview in Howlround, The Journal of the America Voices New Play Institute at Arena Stage
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